| The difficulty with color is to go beyond the | You learn to see by practice. It's just like |
| fact that it's color to have it be not just a | playing tennis, you get better the more you |
| colorful picture but really be a picture about | play. The more you look around at things, the |
| something. It's difficult. So often color gets | more you see. The more you photograph, the |
| caught up in color, and it becomes merely | more you realize what can be photographed |
| decorative. Some photographers use [ it ] | and what can't be photographed. You just have |
| brilliantly to make visual statements combining | to keep doing it. - Eliot Porter |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| | Adams |
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Las Vegas |
Clearwater |
Dayton |
Arlington |
Portland |
Belleville |
Midland |
Nashville |
Arlington |
Easton |
Clinton Township |
Kennewick |
Avon |
Elmira |
Novi |
Palm Beach |
Biloxi |
Englewood |
Old Forge |
Fort Walton Beach |
Reynoldsburg |
Linthicum Heights |
Port Charlotte |
Enterprise |
Richardson |
Telluride |
Oak Brook Terrace |
Budd Lake |
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| Now to consult the rules of composition before | Pictures you have taken have an influence on |
| making a picture is a little like consulting the | those that you are going to make. |
| law of gravitation before going for a walk. | That's life! - John Sexton |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | Photography is about finding out what can |
| reflection . . . - Edward Weston | happen in the frame. When you put four |
| | edges around some facts, you change those |
| There is nothing worse than a sharp image of | facts. - Gary Winogrand |
| a fuzzy concept. - Ansel Adams | |
| | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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