| Photography takes an instant out of time, | You learn to see by practice. It's just like |
| altering life by holding it still. - Dorothea | playing tennis, you get better the more you |
| Lange | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| [Photography] is a way of feeling, of touching, | more you realize what can be photographed |
| of loving. What you have caught on film is | and what can't be photographed. You just have |
| captured forever . . . it remembers little things, | to keep doing it. - Eliot Porter |
| long after you have forgotten everything. | |
| - Aaron Siskind | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
|
|
Kansas City |
Alexandria |
San Francisco |
Rochester |
Lincoln |
Orange |
Southfield |
Milwaukee |
Simi Valley |
Georgetown |
Lakewood |
Hillsboro |
Mount Olive |
Montgomery |
Fayetteville |
Midvale |
Woodward |
Hilo |
Lombard |
Gillette |
Williamsville |
Sevierville |
Sterling |
Canoga Park |
Conway |
Marco Island |
|
|
| One should really use the camera as though | Photography is about finding out what can |
| tomorrow you'd be stricken blind. | happen in the frame. When you put four |
| - Dorothea Lange | edges around some facts, you change those |
| | facts. - Gary Winogrand |
| A mad, keen photographer needs to get out | |
| into the world and work and make mistakes. | Memory is very important, the memory of |
| - Sam Abell | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| The difficulty with color is to go beyond the | sure that you haven't left any holes, that you've |
| fact that it's color to have it be not just a | captured everything, because afterwards it will |
| colorful picture but really be a picture about | be too late. - Henri Cartier Bresson |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|