| Sometimes you can tell a large story with a | The virtue of the camera is not the power it |
| tiny subject. - Eliot Porter | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| A good picture is equivalent to a good deed. | looking. - Brooks Anderson |
| - Vincent Van Gogh | |
| | My own eyes are no more than scouts on a |
| You can find pictures anywhere. It's simply a | preliminary search, for the camera's eye may |
| matter of noticing things and organizing them. | entirely change my idea. - Edward |
| You just have to care about what's around you | Weston |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
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| Memory is very important, the memory of | Now to consult the rules of composition before |
| each photo taken, flowing at the same speed | making a picture is a little like consulting the |
| as the event. During the work, you have to be | law of gravitation before going for a walk. |
| sure that you haven't left any holes, that you've | Such rules and laws are deduced from the |
| captured everything, because afterwards it will | accomplished fact; they are the products of |
| be too late. - Henri Cartier Bresson | reflection . . . - Edward Weston |
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| Photography is a major force in explaining | It is not the language of painters but the |
| man to man. - Edward Steichen | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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