| Sometimes you can tell a large story with a | The difficulty with color is to go beyond the |
| tiny subject. - Eliot Porter | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Keep it simple. - Alfred Eienstaedt | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| A picture is the expression of an impression. If | decorative. Some photographers use [ it ] |
| the beautiful were not in us, how would we | brilliantly to make visual statements combining |
| ever recognize it? - Ernst Haas | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| You can find pictures anywhere. It's simply a | |
| matter of noticing things and organizing them. | |
| You just have to care about what's around you | |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
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Chicago |
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| You've got to push yourself harder. You've got | Once photography enters your bloodstream, |
| to start looking for pictures nobody else could | it's like a disease. - Anon |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| I think you have to have a real point of view | Lange |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | "Simply look with perceptive eyes at the |
| specific magazine's point of view because it's | world about you, and trust to your own |
| never going to be as good. You have to shoot | reactions and convictions. Ask yourself: |
| for yourself and photograph [the way] you | "Does this subject move me to feel, think |
| believe it. - Mary Ellen Mark | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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