| No place is boring, if you've had a good | Memory is very important, the memory of |
| night's sleep and have a pocket full of | each photo taken, flowing at the same speed |
| unexposed film. - Robert Adams | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| You can find pictures anywhere. It's simply a | captured everything, because afterwards it will |
| matter of noticing things and organizing them. | be too late. - Henri Cartier Bresson |
| You just have to care about what's around you | |
| and have a concern with humanity and the | ...words and pictures can work together to |
| human comedy. - Elliott Erwitt | communicate more powerfully than either |
| | alone. -William Albert Allard |
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Houston |
Baltimore |
El Paso |
Gainesville |
Reno |
Tyler |
Amsterdam |
Naperville |
Taylor |
Bedford |
Lafayette |
Little Rock |
Campbell |
San Benito |
Roxboro |
Lincolnton |
Salem |
Kingwood |
Harrison |
Westford |
Clinton Township |
San Francisco |
Rockland |
Salina |
Roseville |
Bedford |
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| My own eyes are no more than scouts on a | Photography is my passion. - Alfred |
| preliminary search, for the camera's eye may | Stieglitz |
| entirely change my idea. - Edward | |
| Weston | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| The virtue of the camera is not the power it | reactions and convictions. Ask yourself: |
| has to transform the photographer into an | "Does this subject move me to feel, think |
| artist, but the impulse it gives him to keep on | and dream? Can I visualize a print - my own |
| looking. - Brooks Anderson | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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