| One should really use the camera as though | Photography is a major force in explaining |
| tomorrow you'd be stricken blind. | man to man. - Edward Steichen |
| - Dorothea Lange | |
| | Memory is very important, the memory of |
| I almost never set out to photograph a | each photo taken, flowing at the same speed |
| landscape, nor do I think of my camera as a | as the event. During the work, you have to be |
| means of recording a mountain or an animal | sure that you haven't left any holes, that you've |
| unless I absolutely need a 'record shot'. My | captured everything, because afterwards it will |
| first thought is always of light. - Galen | be too late. - Henri Cartier Bresson |
| Rowell | |
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Houston |
Brooklyn |
Seattle |
El Paso |
Baton Rouge |
Cedar Rapids |
Naples |
Sherman Oaks |
West Palm Beach |
Hollywood |
Dickson |
Mount Kisco |
Ardmore |
Santa Rosa |
Jackson |
Cedar Park |
Omaha |
Jupiter |
Suffolk |
Londonderry |
Dana Point |
Mary Esther |
Brunswick |
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| "Simply look with perceptive eyes at the | Sometimes you can tell a large story with a |
| world about you, and trust to your own | tiny subject. - Eliot Porter |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | Keep it simple. - Alfred Eienstaedt |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | A room hung with pictures is a room hung with |
| convey - from the subject before me?" | thoughts. - Sir Joshua Reynolds |
| - Ansel Adams | |
| | You can find pictures anywhere. It's simply a |
| Photography is my passion. - Alfred | matter of noticing things and organizing them. |
| Stieglitz | You just have to care about what's around you |
| | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
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