| Pictures you have taken have an influence on | Photography takes an instant out of time, |
| those that you are going to make. | altering life by holding it still. - Dorothea |
| That's life! - John Sexton | Lange |
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| You've got to push yourself harder. You've got | It is not the language of painters but the |
| to start looking for pictures nobody else could | language of nature which one should listen to. |
| take. You've got to take the tools you have and | . . . The feeling for the things themselves, for |
| probe deeper. - William Albert Allard | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| Photography is about finding out what can | |
| happen in the frame. When you put four | |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | |
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Indianapolis |
Pittsburgh |
Raleigh |
Cleveland |
Myrtle Beach |
Quincy |
Springfield |
Brookhaven |
Belleville |
Bay City |
North Platte |
Norwich |
Darien |
Huntington Beach |
Scottsboro |
Falls Church |
Altamonte Springs |
Gunnison |
Plymouth |
Neenah |
Holdredge |
Dyersville |
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| The virtue of the camera is not the power it | I think the best pictures are often on the edges |
| has to transform the photographer into an | of any situation, I don't find photographing the |
| artist, but the impulse it gives him to keep on | situation nearly as interesting as |
| looking. - Brooks Anderson | photographing the edges. - William Albert |
| | Allard |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | A great photograph is one that fully expresses |
| colorful picture but really be a picture about | what one feels, in the deepest sense, about |
| something. It's difficult. So often color gets | what is being photographed. - Ansel |
| caught up in color, and it becomes merely | Adams |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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