| A mad, keen photographer needs to get out | I think the best pictures are often on the edges |
| into the world and work and make mistakes. | of any situation, I don't find photographing the |
| - Sam Abell | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| The difficulty with color is to go beyond the | Allard |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | A good picture is equivalent to a good deed. |
| something. It's difficult. So often color gets | - Vincent Van Gogh |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | Sometimes you can tell a large story with a |
| brilliantly to make visual statements combining | tiny subject. - Eliot Porter |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Orlando |
Cincinnati |
Madison |
Houston |
San Antonio |
Lincoln |
Fort Wayne |
Raleigh |
Carlsbad |
Melbourne |
Herndon |
Cape Coral |
Fort Myers Beach |
Gainesville |
Somerset |
Warrington |
Jonesboro |
Conyers |
Nampa |
Deming |
Center |
Rock Hill |
Waterbury |
Flushing |
Poland |
Kennewick |
Jackson |
Kingston |
Windom |
Cedar Hill |
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| Now to consult the rules of composition before | ...words and pictures can work together to |
| making a picture is a little like consulting the | communicate more powerfully than either |
| law of gravitation before going for a walk. | alone. -William Albert Allard |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | Photography is a major force in explaining |
| reflection . . . - Edward Weston | man to man. - Edward Steichen |
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| There is nothing worse than a sharp image of | Pictures you have taken have an influence on |
| a fuzzy concept. - Ansel Adams | those that you are going to make. |
| | That's life! - John Sexton |
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