| Photography is my passion. - Alfred | Keep it simple. - Alfred Eienstaedt |
| Stieglitz | |
| | A great photograph is one that fully expresses |
| Above all, it's hard learning to live with vivid | what one feels, in the deepest sense, about |
| mental images of scenes I cared for and failed | what is being photographed. - Ansel |
| to photograph. It is the edgy existence within | Adams |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | A picture is the expression of an impression. If |
| be made. - Sam Abell | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
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New York |
Los Angeles |
Philadelphia |
San Antonio |
Dallas |
Fort Lauderdale |
Baltimore |
Yuma |
North Little Rock |
Cheyenne |
Camarillo |
Crystal Lake |
Oneonta |
Laurel |
Slidell |
Anderson |
Cedar City |
Gautier |
Warren |
Basking Ridge |
Cedar Hill |
Los Gatos |
Murfreesboro |
Geneva |
Fisher Island |
Denville |
Fort Walton Beach |
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| One should really use the camera as though | Pictures you have taken have an influence on |
| tomorrow you'd be stricken blind. | those that you are going to make. |
| - Dorothea Lange | That's life! - John Sexton |
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| The difficulty with color is to go beyond the | Memory is very important, the memory of |
| fact that it's color to have it be not just a | each photo taken, flowing at the same speed |
| colorful picture but really be a picture about | as the event. During the work, you have to be |
| something. It's difficult. So often color gets | sure that you haven't left any holes, that you've |
| caught up in color, and it becomes merely | captured everything, because afterwards it will |
| decorative. Some photographers use [ it ] | be too late. - Henri Cartier Bresson |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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