| Now to consult the rules of composition before | ...words and pictures can work together to |
| making a picture is a little like consulting the | communicate more powerfully than either |
| law of gravitation before going for a walk. | alone. -William Albert Allard |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | You've got to push yourself harder. You've got |
| reflection . . . - Edward Weston | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| There is nothing worse than a sharp image of | probe deeper. - William Albert Allard |
| a fuzzy concept. - Ansel Adams | |
| | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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Baltimore |
Pittsburgh |
San Diego |
Denver |
Alexandria |
Youngstown |
Flagstaff |
Boise |
College Station |
Peabody |
Santa Barbara |
Cherry Hill |
Tucson |
Murrells Inlet |
Pomona |
Hazlehurst |
Stephens City |
Harrisburg |
Harriman |
Westborough |
Adel |
Homosassa |
St. Charles |
Northport |
Red Bluff |
Portsmouth |
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| My own eyes are no more than scouts on a | I think the best pictures are often on the edges |
| preliminary search, for the camera's eye may | of any situation, I don't find photographing the |
| entirely change my idea. - Edward | situation nearly as interesting as |
| Weston | photographing the edges. - William Albert |
| | Allard |
| Photography suits the temper of this ageof | |
| active bodies and minds. It is a perfect | A room hung with pictures is a room hung with |
| medium for one whose mind is teeming with | thoughts. - Sir Joshua Reynolds |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | No place is boring, if you've had a good |
| sculpting, for one who sees quickly and acts | night's sleep and have a pocket full of |
| decisively, accurately. - Edward Weston | unexposed film. - Robert Adams |
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