| No place is boring, if you've had a good | Photography is about finding out what can |
| night's sleep and have a pocket full of | happen in the frame. When you put four |
| unexposed film. - Robert Adams | edges around some facts, you change those |
| | facts. - Gary Winogrand |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | You've got to push yourself harder. You've got |
| situation nearly as interesting as | to start looking for pictures nobody else could |
| photographing the edges. - William Albert | take. You've got to take the tools you have and |
| Allard | probe deeper. - William Albert Allard |
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Brooklyn |
San Francisco |
Alexandria |
Indianapolis |
Lexington |
Silver Spring |
York |
Winter Haven |
Thomasville |
Anaheim |
Rochester |
Gulfport |
Winchester |
Auburn Hills |
Charlotte |
Long Branch |
Elizabeth |
Wooster |
Harrisonburg |
Kailua Kona |
Peoria |
Chester |
Coralville |
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| The virtue of the camera is not the power it | It is not the language of painters but the |
| has to transform the photographer into an | language of nature which one should listen to. |
| artist, but the impulse it gives him to keep on | . . . The feeling for the things themselves, for |
| looking. - Brooks Anderson | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| I almost never set out to photograph a | |
| landscape, nor do I think of my camera as a | "Simply look with perceptive eyes at the |
| means of recording a mountain or an animal | world about you, and trust to your own |
| unless I absolutely need a 'record shot'. My | reactions and convictions. Ask yourself: |
| first thought is always of light. - Galen | "Does this subject move me to feel, think |
| Rowell | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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