| The virtue of the camera is not the power it | A good picture is equivalent to a good deed. |
| has to transform the photographer into an | - Vincent Van Gogh |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| The difficulty with color is to go beyond the | play. The more you look around at things, the |
| fact that it's color to have it be not just a | more you see. The more you photograph, the |
| colorful picture but really be a picture about | more you realize what can be photographed |
| something. It's difficult. So often color gets | and what can't be photographed. You just have |
| caught up in color, and it becomes merely | to keep doing it. - Eliot Porter |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Houston |
New York |
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| You've got to push yourself harder. You've got | Photography takes an instant out of time, |
| to start looking for pictures nobody else could | altering life by holding it still. - Dorothea |
| take. You've got to take the tools you have and | Lange |
| probe deeper. - William Albert Allard | |
| | It is not the language of painters but the |
| Memory is very important, the memory of | language of nature which one should listen to. |
| each photo taken, flowing at the same speed | . . . The feeling for the things themselves, for |
| as the event. During the work, you have to be | reality, is more important than the feeling for |
| sure that you haven't left any holes, that you've | pictures. - Vincent Van Gogh |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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