| Once photography enters your bloodstream, | The difficulty with color is to go beyond the |
| it's like a disease. - Anon | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| [Photography] is a way of feeling, of touching, | something. It's difficult. So often color gets |
| of loving. What you have caught on film is | caught up in color, and it becomes merely |
| captured forever . . . it remembers little things, | decorative. Some photographers use [ it ] |
| long after you have forgotten everything. | brilliantly to make visual statements combining |
| - Aaron Siskind | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Houston |
Indianapolis |
Davenport |
Tucson |
Durham |
Milwaukee |
Allen Park |
Yardley |
New York |
Tacoma |
Coronado |
Loveland |
Shelbyville |
Visalia |
Madison |
San Juan Capistrano |
Brevard |
Jerseyville |
Maryville |
Moorhead |
Savannah |
Waverly |
Amsterdam |
Broken Bow |
Coraopolis |
Conway |
Rocky Mount |
Tuscola |
Acme |
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| You've got to push yourself harder. You've got | A room hung with pictures is a room hung with |
| to start looking for pictures nobody else could | thoughts. - Sir Joshua Reynolds |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| Photography knows how to authenticate its | situation nearly as interesting as |
| misrepresentations. - Mason Cooley | photographing the edges. - William Albert |
| | Allard |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | A great photograph is one that fully expresses |
| And, I think that it's a mistake to shoot for a | what one feels, in the deepest sense, about |
| specific magazine's point of view because it's | what is being photographed. - Ansel |
| never going to be as good. You have to shoot | Adams |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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