| I think you have to have a real point of view | Sometimes you can tell a large story with a |
| that's your own. You have to tell it your way. | tiny subject. - Eliot Porter |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | A good picture is equivalent to a good deed. |
| never going to be as good. You have to shoot | - Vincent Van Gogh |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| You've got to push yourself harder. You've got | play. The more you look around at things, the |
| to start looking for pictures nobody else could | more you see. The more you photograph, the |
| take. You've got to take the tools you have and | more you realize what can be photographed |
| probe deeper. - William Albert Allard | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Tampa |
Indianapolis |
Lincoln |
Moultrie |
Harlingen |
Ithaca |
Hamden |
New Britain |
Fayetteville |
Huntsville |
Dalton |
Los Altos |
Morgan Hill |
Douglassville |
Sault Ste Marie |
Pawtucket |
Norwalk |
Westfield |
Lexington Park |
Edison |
Quincy |
Laurel |
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| Once photography enters your bloodstream, | The difficulty with color is to go beyond the |
| it's like a disease. - Anon | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| There is nothing worse than a sharp image of | something. It's difficult. So often color gets |
| a fuzzy concept. - Ansel Adams | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| Photography takes an instant out of time, | brilliantly to make visual statements combining |
| altering life by holding it still. - Dorothea | color and content; otherwise it is empty. |
| Lange | - Mary Ellen Mark |
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