| You can find pictures anywhere. It's simply a | [Photography] is a way of feeling, of touching, |
| matter of noticing things and organizing them. | of loving. What you have caught on film is |
| You just have to care about what's around you | captured forever . . . it remembers little things, |
| and have a concern with humanity and the | long after you have forgotten everything. |
| human comedy. - Elliott Erwitt | - Aaron Siskind |
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| I think the best pictures are often on the edges | Above all, it's hard learning to live with vivid |
| of any situation, I don't find photographing the | mental images of scenes I cared for and failed |
| situation nearly as interesting as | to photograph. It is the edgy existence within |
| photographing the edges. - William Albert | me of these unmade images that is the only |
| Allard | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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Houston |
New York |
San Antonio |
Baltimore |
Albuquerque |
Allentown |
Springfield |
Muncie |
Roanoke |
Bellevue |
Las Cruces |
Atlanta |
Douglas |
Sumter |
Westerville |
Katy |
Pueblo |
Auburn |
Dyersburg |
Hope |
Hohenwald |
Richmond |
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| A mad, keen photographer needs to get out | Memory is very important, the memory of |
| into the world and work and make mistakes. | each photo taken, flowing at the same speed |
| - Sam Abell | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| Photography suits the temper of this ageof | captured everything, because afterwards it will |
| active bodies and minds. It is a perfect | be too late. - Henri Cartier Bresson |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | ...words and pictures can work together to |
| would be slowed down by painting or | communicate more powerfully than either |
| sculpting, for one who sees quickly and acts | alone. -William Albert Allard |
| decisively, accurately. - Edward Weston | |
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