| Photography suits the temper of this ageof | Sometimes you can tell a large story with a |
| active bodies and minds. It is a perfect | tiny subject. - Eliot Porter |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | No place is boring, if you've had a good |
| would be slowed down by painting or | night's sleep and have a pocket full of |
| sculpting, for one who sees quickly and acts | unexposed film. - Robert Adams |
| decisively, accurately. - Edward Weston | |
| | Keep it simple. - Alfred Eienstaedt |
| The virtue of the camera is not the power it | |
| has to transform the photographer into an | A great photograph is one that fully expresses |
| artist, but the impulse it gives him to keep on | what one feels, in the deepest sense, about |
| looking. - Brooks Anderson | what is being photographed. - Ansel |
| | Adams |
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Jacksonville |
Houston |
Clearwater |
Santa Ana |
Wilmington |
Brooklyn |
Hattiesburg |
Martinsburg |
Chapel Hill |
Midland |
Plymouth |
Tifton |
Kosciusko |
Euless |
Clarion |
Pigeon Forge |
Wise |
Silverdale |
Elkins |
East Brunswick |
Loveland |
Long Beach |
Agoura Hills |
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| You've got to push yourself harder. You've got | It is not the language of painters but the |
| to start looking for pictures nobody else could | language of nature which one should listen to. |
| take. You've got to take the tools you have and | . . . The feeling for the things themselves, for |
| probe deeper. - William Albert Allard | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| Photography is a major force in explaining | |
| man to man. - Edward Steichen | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| Memory is very important, the memory of | reactions and convictions. Ask yourself: |
| each photo taken, flowing at the same speed | "Does this subject move me to feel, think |
| as the event. During the work, you have to be | and dream? Can I visualize a print - my own |
| sure that you haven't left any holes, that you've | personal statement of what I feel and want to |
| captured everything, because afterwards it will | convey - from the subject before me?" |
| be too late. - Henri Cartier Bresson | - Ansel Adams |
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