| The difficulty with color is to go beyond the | It is not the language of painters but the |
| fact that it's color to have it be not just a | language of nature which one should listen to. |
| colorful picture but really be a picture about | . . . The feeling for the things themselves, for |
| something. It's difficult. So often color gets | reality, is more important than the feeling for |
| caught up in color, and it becomes merely | pictures. - Vincent Van Gogh |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | Photography takes an instant out of time, |
| color and content; otherwise it is empty. | altering life by holding it still. - Dorothea |
| - Mary Ellen Mark | Lange |
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Chicago |
New York |
Boston |
Fort Myers |
Stockton |
Albuquerque |
Detroit |
Concord |
Greenwood |
Macomb |
Edwardsville |
Rome |
Effingham |
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Castleton On Hudson |
Adrian |
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| I think you have to have a real point of view | A picture is the expression of an impression. If |
| that's your own. You have to tell it your way. | the beautiful were not in us, how would we |
| And, I think that it's a mistake to shoot for a | ever recognize it? - Ernst Haas |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | A good picture is equivalent to a good deed. |
| for yourself and photograph [the way] you | - Vincent Van Gogh |
| believe it. - Mary Ellen Mark | |
| | A great photograph is one that fully expresses |
| ...words and pictures can work together to | what one feels, in the deepest sense, about |
| communicate more powerfully than either | what is being photographed. - Ansel |
| alone. -William Albert Allard | Adams |
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