| I think you have to have a real point of view | No place is boring, if you've had a good |
| that's your own. You have to tell it your way. | night's sleep and have a pocket full of |
| And, I think that it's a mistake to shoot for a | unexposed film. - Robert Adams |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | A great photograph is one that fully expresses |
| for yourself and photograph [the way] you | what one feels, in the deepest sense, about |
| believe it. - Mary Ellen Mark | what is being photographed. - Ansel |
| | Adams |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | A picture is the expression of an impression. If |
| as the event. During the work, you have to be | the beautiful were not in us, how would we |
| sure that you haven't left any holes, that you've | ever recognize it? - Ernst Haas |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
|
|
Atlanta |
San Antonio |
Birmingham |
Baton Rouge |
Colorado Springs |
Fresno |
Reno |
Santa Monica |
Southfield |
Hickory |
North Little Rock |
Fort Lauderdale |
Springfield |
Milledgeville |
Herndon |
Bakersfield |
Muscatine |
Tarzana |
Lexington |
Shelby |
South Bend |
Jasper |
Anderson |
Quincy |
Palm Harbor |
Green Bay |
June Lake |
|
|
| I almost never set out to photograph a | [Photography] is a way of feeling, of touching, |
| landscape, nor do I think of my camera as a | of loving. What you have caught on film is |
| means of recording a mountain or an animal | captured forever . . . it remembers little things, |
| unless I absolutely need a 'record shot'. My | long after you have forgotten everything. |
| first thought is always of light. - Galen | - Aaron Siskind |
| Rowell | |
| | "Simply look with perceptive eyes at the |
| Photography suits the temper of this ageof | world about you, and trust to your own |
| active bodies and minds. It is a perfect | reactions and convictions. Ask yourself: |
| medium for one whose mind is teeming with | "Does this subject move me to feel, think |
| ideas, imagery, for a prolific worker who | and dream? Can I visualize a print - my own |
| would be slowed down by painting or | personal statement of what I feel and want to |
| sculpting, for one who sees quickly and acts | convey - from the subject before me?" |
| decisively, accurately. - Edward Weston | - Ansel Adams |
|