| I think you have to have a real point of view | A room hung with pictures is a room hung with |
| that's your own. You have to tell it your way. | thoughts. - Sir Joshua Reynolds |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | I think the best pictures are often on the edges |
| never going to be as good. You have to shoot | of any situation, I don't find photographing the |
| for yourself and photograph [the way] you | situation nearly as interesting as |
| believe it. - Mary Ellen Mark | photographing the edges. - William Albert |
| | Allard |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | You can find pictures anywhere. It's simply a |
| earth and skies that man has inherited and the | matter of noticing things and organizing them. |
| wealth and confusion man has created. | You just have to care about what's around you |
| - Edward Steichen | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
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| The virtue of the camera is not the power it | [Photography] is a way of feeling, of touching, |
| has to transform the photographer into an | of loving. What you have caught on film is |
| artist, but the impulse it gives him to keep on | captured forever . . . it remembers little things, |
| looking. - Brooks Anderson | long after you have forgotten everything. |
| | - Aaron Siskind |
| My own eyes are no more than scouts on a | |
| preliminary search, for the camera's eye may | "Simply look with perceptive eyes at the |
| entirely change my idea. - Edward | world about you, and trust to your own |
| Weston | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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