| The difficulty with color is to go beyond the | Keep it simple. - Alfred Eienstaedt |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | A picture is the expression of an impression. If |
| something. It's difficult. So often color gets | the beautiful were not in us, how would we |
| caught up in color, and it becomes merely | ever recognize it? - Ernst Haas |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | You learn to see by practice. It's just like |
| color and content; otherwise it is empty. | playing tennis, you get better the more you |
| - Mary Ellen Mark | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
|
|
Los Angeles |
New Orleans |
New York |
Alexandria |
Orlando |
Rome |
Salem |
Slidell |
Lincoln |
Vienna |
Concord |
Virginia Beach |
Woodbridge |
Falmouth |
Brainerd |
Tualatin |
Austinburg |
Calumet Park |
Stuttgart |
Cleveland |
Camden |
|
|
| Photography is a major force in explaining | [Photography] is a way of feeling, of touching, |
| man to man. - Edward Steichen | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| Photography records the gamut of feelings | long after you have forgotten everything. |
| written on the human face, the beauty of the | - Aaron Siskind |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | "Simply look with perceptive eyes at the |
| - Edward Steichen | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| ...words and pictures can work together to | "Does this subject move me to feel, think |
| communicate more powerfully than either | and dream? Can I visualize a print - my own |
| alone. -William Albert Allard | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
|