| Memory is very important, the memory of | Photography suits the temper of this ageof |
| each photo taken, flowing at the same speed | active bodies and minds. It is a perfect |
| as the event. During the work, you have to be | medium for one whose mind is teeming with |
| sure that you haven't left any holes, that you've | ideas, imagery, for a prolific worker who |
| captured everything, because afterwards it will | would be slowed down by painting or |
| be too late. - Henri Cartier Bresson | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
| Pictures you have taken have an influence on | |
| those that you are going to make. | My own eyes are no more than scouts on a |
| That's life! - John Sexton | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| | Weston |
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New York |
Seattle |
Indianapolis |
Boise |
Philadelphia |
Reno |
Chattanooga |
Sanford |
West Plains |
Morrisville |
Circleville |
Irving |
Morristown |
Fort Lauderdale |
Brookings |
Lawrenceville |
Pascagoula |
Spearfish |
Lihue, Kauai |
Pagosa Springs |
Seaford |
Garden City |
Childress |
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| I think the best pictures are often on the edges | [Photography] is a way of feeling, of touching, |
| of any situation, I don't find photographing the | of loving. What you have caught on film is |
| situation nearly as interesting as | captured forever . . . it remembers little things, |
| photographing the edges. - William Albert | long after you have forgotten everything. |
| Allard | - Aaron Siskind |
| | |
| A room hung with pictures is a room hung with | Above all, it's hard learning to live with vivid |
| thoughts. - Sir Joshua Reynolds | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| You learn to see by practice. It's just like | me of these unmade images that is the only |
| playing tennis, you get better the more you | assurance that the best photographs are yet to |
| play. The more you look around at things, the | be made. - Sam Abell |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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