| One should really use the camera as though | Photography is a major force in explaining |
| tomorrow you'd be stricken blind. | man to man. - Edward Steichen |
| - Dorothea Lange | |
| | Photography knows how to authenticate its |
| The camera makes everyone a tourist in other | misrepresentations. - Mason Cooley |
| people's reality. - Susan Sontag | |
| | Photography records the gamut of feelings |
| The virtue of the camera is not the power it | written on the human face, the beauty of the |
| has to transform the photographer into an | earth and skies that man has inherited and the |
| artist, but the impulse it gives him to keep on | wealth and confusion man has created. |
| looking. - Brooks Anderson | - Edward Steichen |
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St. Louis |
Colorado Springs |
Baton Rouge |
Austin |
Cranston |
Searcy |
Newport |
Syosset |
Ocean City |
Honolulu |
Dover |
Mount Vernon |
Schenectady |
Paragould |
Palm Coast |
Pella |
El Dorado |
Collinsville |
West Monroe |
Havre |
Baker |
Perryville |
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| Photography takes an instant out of time, | No place is boring, if you've had a good |
| altering life by holding it still. - Dorothea | night's sleep and have a pocket full of |
| Lange | unexposed film. - Robert Adams |
| | |
| "Simply look with perceptive eyes at the | You can find pictures anywhere. It's simply a |
| world about you, and trust to your own | matter of noticing things and organizing them. |
| reactions and convictions. Ask yourself: | You just have to care about what's around you |
| "Does this subject move me to feel, think | and have a concern with humanity and the |
| and dream? Can I visualize a print - my own | human comedy. - Elliott Erwitt |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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