| "Simply look with perceptive eyes at the | My own eyes are no more than scouts on a |
| world about you, and trust to your own | preliminary search, for the camera's eye may |
| reactions and convictions. Ask yourself: | entirely change my idea. - Edward |
| "Does this subject move me to feel, think | Weston |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | The camera makes everyone a tourist in other |
| convey - from the subject before me?" | people's reality. - Susan Sontag |
| - Ansel Adams | |
| | A mad, keen photographer needs to get out |
| Photography takes an instant out of time, | into the world and work and make mistakes. |
| altering life by holding it still. - Dorothea | - Sam Abell |
| Lange | |
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Fort Lauderdale |
Oklahoma City |
Fort Myers |
Fort Wayne |
Baton Rouge |
Springfield |
Seattle |
Florence |
Herndon |
Binghamton |
Odessa |
Lake Oswego |
Easton |
Palm Coast |
West Columbia |
Corona |
Pompano Beach |
Brandon |
Harrisonville |
Pennsville |
Rock Island |
Camden |
Batesville |
Hendersonville |
Davis |
Russell |
Taunton |
Brooklyn Park |
Flemington |
Rogersville |
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| A good picture is equivalent to a good deed. | Memory is very important, the memory of |
| - Vincent Van Gogh | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| No place is boring, if you've had a good | sure that you haven't left any holes, that you've |
| night's sleep and have a pocket full of | captured everything, because afterwards it will |
| unexposed film. - Robert Adams | be too late. - Henri Cartier Bresson |
| | |
| A picture is the expression of an impression. If | Photography records the gamut of feelings |
| the beautiful were not in us, how would we | written on the human face, the beauty of the |
| ever recognize it? - Ernst Haas | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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