| "Simply look with perceptive eyes at the | A room hung with pictures is a room hung with |
| world about you, and trust to your own | thoughts. - Sir Joshua Reynolds |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | A picture is the expression of an impression. If |
| and dream? Can I visualize a print - my own | the beautiful were not in us, how would we |
| personal statement of what I feel and want to | ever recognize it? - Ernst Haas |
| convey - from the subject before me?" | |
| - Ansel Adams | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| Photography is my passion. - Alfred | unexposed film. - Robert Adams |
| Stieglitz | |
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Portland |
Columbus |
Pittsburgh |
Virginia Beach |
Dallas |
Washington |
Syracuse |
Minneapolis |
Racine |
Muncie |
El Dorado |
Overland Park |
Goodlettsville |
Benton |
Brockton |
Woodbury |
Oskaloosa |
Decatur |
Studio City |
Brainerd |
New Albany |
Myrtle Beach |
Big Rapids |
Attalla |
Yukon |
Latham |
Fairfax |
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| The virtue of the camera is not the power it | Photography is about finding out what can |
| has to transform the photographer into an | happen in the frame. When you put four |
| artist, but the impulse it gives him to keep on | edges around some facts, you change those |
| looking. - Brooks Anderson | facts. - Gary Winogrand |
| | |
| The camera makes everyone a tourist in other | Memory is very important, the memory of |
| people's reality. - Susan Sontag | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| One should really use the camera as though | sure that you haven't left any holes, that you've |
| tomorrow you'd be stricken blind. | captured everything, because afterwards it will |
| - Dorothea Lange | be too late. - Henri Cartier Bresson |
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