| Photography records the gamut of feelings | There is nothing worse than a sharp image of |
| written on the human face, the beauty of the | a fuzzy concept. - Ansel Adams |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | [Photography] is a way of feeling, of touching, |
| - Edward Steichen | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| Photography knows how to authenticate its | long after you have forgotten everything. |
| misrepresentations. - Mason Cooley | - Aaron Siskind |
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| Pictures you have taken have an influence on | "Simply look with perceptive eyes at the |
| those that you are going to make. | world about you, and trust to your own |
| That's life! - John Sexton | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Houston |
Brooklyn |
San Francisco |
St. Louis |
Albuquerque |
Vancouver |
Arlington |
Kansas City |
Sioux Falls |
Florence |
Seattle |
Fairfax |
East Hanover |
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Lodi |
Chestertown |
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Half Moon Bay |
Red Lodge |
Glen Cove |
Alma |
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| I think the best pictures are often on the edges | My own eyes are no more than scouts on a |
| of any situation, I don't find photographing the | preliminary search, for the camera's eye may |
| situation nearly as interesting as | entirely change my idea. - Edward |
| photographing the edges. - William Albert | Weston |
| Allard | |
| | The difficulty with color is to go beyond the |
| A great photograph is one that fully expresses | fact that it's color to have it be not just a |
| what one feels, in the deepest sense, about | colorful picture but really be a picture about |
| what is being photographed. - Ansel | something. It's difficult. So often color gets |
| Adams | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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