| Photography records the gamut of feelings | Above all, it's hard learning to live with vivid |
| written on the human face, the beauty of the | mental images of scenes I cared for and failed |
| earth and skies that man has inherited and the | to photograph. It is the edgy existence within |
| wealth and confusion man has created. | me of these unmade images that is the only |
| - Edward Steichen | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
| You've got to push yourself harder. You've got | |
| to start looking for pictures nobody else could | Now to consult the rules of composition before |
| take. You've got to take the tools you have and | making a picture is a little like consulting the |
| probe deeper. - William Albert Allard | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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Long Beach |
York |
Portland |
Virginia Beach |
Chino |
Mansfield |
Redmond |
South Bend |
Colorado Springs |
San Antonio |
Libertyville |
Roseburg |
Covina |
Los Altos |
Trenton |
Hornell |
Monterey |
Quincy |
Medina |
Mitchell |
Gary |
Oxford |
Saginaw |
New Haven |
Sun City Center |
Fayetteville |
Willoughby |
Lahaina Maui |
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| I think the best pictures are often on the edges | The difficulty with color is to go beyond the |
| of any situation, I don't find photographing the | fact that it's color to have it be not just a |
| situation nearly as interesting as | colorful picture but really be a picture about |
| photographing the edges. - William Albert | something. It's difficult. So often color gets |
| Allard | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| No place is boring, if you've had a good | brilliantly to make visual statements combining |
| night's sleep and have a pocket full of | color and content; otherwise it is empty. |
| unexposed film. - Robert Adams | - Mary Ellen Mark |
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