| My own eyes are no more than scouts on a | You've got to push yourself harder. You've got |
| preliminary search, for the camera's eye may | to start looking for pictures nobody else could |
| entirely change my idea. - Edward | take. You've got to take the tools you have and |
| Weston | probe deeper. - William Albert Allard |
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| The camera makes everyone a tourist in other | Memory is very important, the memory of |
| people's reality. - Susan Sontag | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| The virtue of the camera is not the power it | sure that you haven't left any holes, that you've |
| has to transform the photographer into an | captured everything, because afterwards it will |
| artist, but the impulse it gives him to keep on | be too late. - Henri Cartier Bresson |
| looking. - Brooks Anderson | |
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San Diego |
Rochester |
Cleveland |
Tacoma |
Delray Beach |
Malvern |
Auburn |
Manchester |
Poughkeepsie |
Beaufort |
Chillicothe |
Wilmington |
Meriden |
Aventura |
Chelsea |
Lompoc |
Anacortes |
Georgetown |
Oak Lawn |
Omaha |
Cheyenne |
Topeka |
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| Photography takes an instant out of time, | A picture is the expression of an impression. If |
| altering life by holding it still. - Dorothea | the beautiful were not in us, how would we |
| Lange | ever recognize it? - Ernst Haas |
| | |
| [Photography] is a way of feeling, of touching, | I think the best pictures are often on the edges |
| of loving. What you have caught on film is | of any situation, I don't find photographing the |
| captured forever . . . it remembers little things, | situation nearly as interesting as |
| long after you have forgotten everything. | photographing the edges. - William Albert |
| - Aaron Siskind | Allard |
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