| Photography suits the temper of this ageof | I think you have to have a real point of view |
| active bodies and minds. It is a perfect | that's your own. You have to tell it your way. |
| medium for one whose mind is teeming with | And, I think that it's a mistake to shoot for a |
| ideas, imagery, for a prolific worker who | specific magazine's point of view because it's |
| would be slowed down by painting or | never going to be as good. You have to shoot |
| sculpting, for one who sees quickly and acts | for yourself and photograph [the way] you |
| decisively, accurately. - Edward Weston | believe it. - Mary Ellen Mark |
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| My own eyes are no more than scouts on a | Memory is very important, the memory of |
| preliminary search, for the camera's eye may | each photo taken, flowing at the same speed |
| entirely change my idea. - Edward | as the event. During the work, you have to be |
| Weston | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Chicago |
San Francisco |
Kansas City |
Phoenix |
Naperville |
Oceanside |
Grand Prairie |
Lancaster |
Kalamazoo |
Hemet |
Lexington |
Lima |
Reading |
Fairfield |
Seagoville |
Cullman |
Ozark |
Saddle Brook |
Mars Hill |
Rancho Mirage |
Mattoon |
South Hill |
Irmo |
Sandy |
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| I think the best pictures are often on the edges | Once photography enters your bloodstream, |
| of any situation, I don't find photographing the | it's like a disease. - Anon |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | It is not the language of painters but the |
| Allard | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| A great photograph is one that fully expresses | reality, is more important than the feeling for |
| what one feels, in the deepest sense, about | pictures. - Vincent Van Gogh |
| what is being photographed. - Ansel | |
| Adams | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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