| "Simply look with perceptive eyes at the | You can find pictures anywhere. It's simply a |
| world about you, and trust to your own | matter of noticing things and organizing them. |
| reactions and convictions. Ask yourself: | You just have to care about what's around you |
| "Does this subject move me to feel, think | and have a concern with humanity and the |
| and dream? Can I visualize a print - my own | human comedy. - Elliott Erwitt |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | No place is boring, if you've had a good |
| - Ansel Adams | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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Las Vegas |
Baton Rouge |
Apopka |
Franklin |
Revere |
Goshen |
Homosassa |
Anderson |
Lebanon |
Paris |
Joplin |
Williamsport |
Attalla |
Bedford |
Hollywood |
Foristell |
Solano Beach |
Burbank |
Del Mar |
Troy |
Jamestown |
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| You've got to push yourself harder. You've got | The difficulty with color is to go beyond the |
| to start looking for pictures nobody else could | fact that it's color to have it be not just a |
| take. You've got to take the tools you have and | colorful picture but really be a picture about |
| probe deeper. - William Albert Allard | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| ...words and pictures can work together to | decorative. Some photographers use [ it ] |
| communicate more powerfully than either | brilliantly to make visual statements combining |
| alone. -William Albert Allard | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
|