| Pictures you have taken have an influence on | The difficulty with color is to go beyond the |
| those that you are going to make. | fact that it's color to have it be not just a |
| That's life! - John Sexton | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| Photography is a major force in explaining | caught up in color, and it becomes merely |
| man to man. - Edward Steichen | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| You've got to push yourself harder. You've got | color and content; otherwise it is empty. |
| to start looking for pictures nobody else could | - Mary Ellen Mark |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | |
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Richmond |
West Palm Beach |
Colorado Springs |
Springfield |
Oceanside |
Alameda |
Shreveport |
Westlake |
Wausau |
Hagerstown |
Greensburg |
Ponca City |
Stamford |
Henderson |
Manistique |
Geneva |
Cedar City |
Rawlins |
New Albany |
Kenmore |
Marshall |
Burlingame |
Waverly |
Little Falls |
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| [Photography] is a way of feeling, of touching, | Keep it simple. - Alfred Eienstaedt |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | A great photograph is one that fully expresses |
| long after you have forgotten everything. | what one feels, in the deepest sense, about |
| - Aaron Siskind | what is being photographed. - Ansel |
| | Adams |
| Now to consult the rules of composition before | |
| making a picture is a little like consulting the | No place is boring, if you've had a good |
| law of gravitation before going for a walk. | night's sleep and have a pocket full of |
| Such rules and laws are deduced from the | unexposed film. - Robert Adams |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | |
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