| I think you have to have a real point of view | Above all, it's hard learning to live with vivid |
| that's your own. You have to tell it your way. | mental images of scenes I cared for and failed |
| And, I think that it's a mistake to shoot for a | to photograph. It is the edgy existence within |
| specific magazine's point of view because it's | me of these unmade images that is the only |
| never going to be as good. You have to shoot | assurance that the best photographs are yet to |
| for yourself and photograph [the way] you | be made. - Sam Abell |
| believe it. - Mary Ellen Mark | |
| | Photography is my passion. - Alfred |
| Photography is about finding out what can | Stieglitz |
| happen in the frame. When you put four | |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | |
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|
Indianapolis |
San Diego |
Oklahoma City |
Charleston |
Providence |
Newark |
South Bend |
Lakewood |
Fairfax |
Beaufort |
Santa Maria |
Laurel |
Shelbyville |
New Boston |
Goodlettsville |
Citrus Heights |
Prattville |
Cape Canaveral |
Lima |
Santa Cruz |
Cairo |
Eureka Springs |
Newnan |
Utica |
Ada |
Mccall |
Crawfordsville |
Bonner S Ferry |
Ashtabula |
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| No place is boring, if you've had a good | One should really use the camera as though |
| night's sleep and have a pocket full of | tomorrow you'd be stricken blind. |
| unexposed film. - Robert Adams | - Dorothea Lange |
| | |
| A good picture is equivalent to a good deed. | The camera makes everyone a tourist in other |
| - Vincent Van Gogh | people's reality. - Susan Sontag |
| | |
| You can find pictures anywhere. It's simply a | The difficulty with color is to go beyond the |
| matter of noticing things and organizing them. | fact that it's color to have it be not just a |
| You just have to care about what's around you | colorful picture but really be a picture about |
| and have a concern with humanity and the | something. It's difficult. So often color gets |
| human comedy. - Elliott Erwitt | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|