| You learn to see by practice. It's just like | [Photography] is a way of feeling, of touching, |
| playing tennis, you get better the more you | of loving. What you have caught on film is |
| play. The more you look around at things, the | captured forever . . . it remembers little things, |
| more you see. The more you photograph, the | long after you have forgotten everything. |
| more you realize what can be photographed | - Aaron Siskind |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | There is nothing worse than a sharp image of |
| | a fuzzy concept. - Ansel Adams |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | Photography takes an instant out of time, |
| situation nearly as interesting as | altering life by holding it still. - Dorothea |
| photographing the edges. - William Albert | Lange |
| Allard | |
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Los Angeles |
New York |
Atlanta |
Rochester |
Anaheim |
Louisville |
Lawrence |
San Ramon |
Warwick |
Harrison |
Charlottesville |
Henderson |
Grand Island |
Gillette |
Odessa |
Seaford |
Driggs |
Merrill |
Beaver Dam |
Reidsville |
Lansdale |
Beeville |
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| Memory is very important, the memory of | The difficulty with color is to go beyond the |
| each photo taken, flowing at the same speed | fact that it's color to have it be not just a |
| as the event. During the work, you have to be | colorful picture but really be a picture about |
| sure that you haven't left any holes, that you've | something. It's difficult. So often color gets |
| captured everything, because afterwards it will | caught up in color, and it becomes merely |
| be too late. - Henri Cartier Bresson | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| Photography knows how to authenticate its | color and content; otherwise it is empty. |
| misrepresentations. - Mason Cooley | - Mary Ellen Mark |
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