| [Photography] is a way of feeling, of touching, | Photography suits the temper of this ageof |
| of loving. What you have caught on film is | active bodies and minds. It is a perfect |
| captured forever . . . it remembers little things, | medium for one whose mind is teeming with |
| long after you have forgotten everything. | ideas, imagery, for a prolific worker who |
| - Aaron Siskind | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| Above all, it's hard learning to live with vivid | decisively, accurately. - Edward Weston |
| mental images of scenes I cared for and failed | |
| to photograph. It is the edgy existence within | The difficulty with color is to go beyond the |
| me of these unmade images that is the only | fact that it's color to have it be not just a |
| assurance that the best photographs are yet to | colorful picture but really be a picture about |
| be made. - Sam Abell | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Chicago |
Cincinnati |
Wichita |
Aurora |
Covina |
New Smyrna Beach |
Providence |
Monterey Park |
Niles |
Tarzana |
West Des Moines |
Atlantic City |
Carson |
West Allis |
Paducah |
Poplar Bluff |
Shippensburg |
Cheyenne |
Culpeper |
Fort Atkinson |
Frankfort |
Warrensburg |
Placentia |
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| You can find pictures anywhere. It's simply a | Photography records the gamut of feelings |
| matter of noticing things and organizing them. | written on the human face, the beauty of the |
| You just have to care about what's around you | earth and skies that man has inherited and the |
| and have a concern with humanity and the | wealth and confusion man has created. |
| human comedy. - Elliott Erwitt | - Edward Steichen |
| | |
| I think the best pictures are often on the edges | You've got to push yourself harder. You've got |
| of any situation, I don't find photographing the | to start looking for pictures nobody else could |
| situation nearly as interesting as | take. You've got to take the tools you have and |
| photographing the edges. - William Albert | probe deeper. - William Albert Allard |
| Allard | |
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