| "Simply look with perceptive eyes at the | The difficulty with color is to go beyond the |
| world about you, and trust to your own | fact that it's color to have it be not just a |
| reactions and convictions. Ask yourself: | colorful picture but really be a picture about |
| "Does this subject move me to feel, think | something. It's difficult. So often color gets |
| and dream? Can I visualize a print - my own | caught up in color, and it becomes merely |
| personal statement of what I feel and want to | decorative. Some photographers use [ it ] |
| convey - from the subject before me?" | brilliantly to make visual statements combining |
| - Ansel Adams | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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San Antonio |
Tucson |
Alexandria |
West Chester |
Slidell |
Jackson |
Coralville |
Concord |
Macon |
Southbury |
Tualatin |
Dublin |
Eaton |
Aptos |
Sonora |
Alhambra |
Chadron |
Perry |
Port Lavaca |
Camden |
Summerville |
Maryville |
Monterey |
Tallahassee |
Briarcliff Manor |
Topeka |
Plainfield |
Glendale |
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| Pictures you have taken have an influence on | A picture is the expression of an impression. If |
| those that you are going to make. | the beautiful were not in us, how would we |
| That's life! - John Sexton | ever recognize it? - Ernst Haas |
| | |
| You've got to push yourself harder. You've got | Keep it simple. - Alfred Eienstaedt |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | A great photograph is one that fully expresses |
| probe deeper. - William Albert Allard | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| Photography is a major force in explaining | Adams |
| man to man. - Edward Steichen | |
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