| Photography knows how to authenticate its | You can find pictures anywhere. It's simply a |
| misrepresentations. - Mason Cooley | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| Photography is a major force in explaining | and have a concern with humanity and the |
| man to man. - Edward Steichen | human comedy. - Elliott Erwitt |
| | |
| Memory is very important, the memory of | You learn to see by practice. It's just like |
| each photo taken, flowing at the same speed | playing tennis, you get better the more you |
| as the event. During the work, you have to be | play. The more you look around at things, the |
| sure that you haven't left any holes, that you've | more you see. The more you photograph, the |
| captured everything, because afterwards it will | more you realize what can be photographed |
| be too late. - Henri Cartier Bresson | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
|
|
New York |
Chicago |
Las Vegas |
Seattle |
St. Paul |
Santa Ana |
Fort Worth |
Columbus |
St. Louis |
Worcester |
Idaho Falls |
Salem |
Meadville |
Port Angeles |
Oneida |
Mansfield |
Westchester |
Temecula |
Kutztown |
Flint |
Westlake |
New Port Richey |
Baileys Crossroads |
Ferndale |
Norman |
Pinehurst |
Sergeant Bluff |
Madison |
Fallon |
Timmonsville |
|
|
| There is nothing worse than a sharp image of | A mad, keen photographer needs to get out |
| a fuzzy concept. - Ansel Adams | into the world and work and make mistakes. |
| | - Sam Abell |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | The camera makes everyone a tourist in other |
| reactions and convictions. Ask yourself: | people's reality. - Susan Sontag |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | The virtue of the camera is not the power it |
| personal statement of what I feel and want to | has to transform the photographer into an |
| convey - from the subject before me?" | artist, but the impulse it gives him to keep on |
| - Ansel Adams | looking. - Brooks Anderson |
|