| [Photography] is a way of feeling, of touching, | A picture is the expression of an impression. If |
| of loving. What you have caught on film is | the beautiful were not in us, how would we |
| captured forever . . . it remembers little things, | ever recognize it? - Ernst Haas |
| long after you have forgotten everything. | |
| - Aaron Siskind | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| Now to consult the rules of composition before | situation nearly as interesting as |
| making a picture is a little like consulting the | photographing the edges. - William Albert |
| law of gravitation before going for a walk. | Allard |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | |
|
|
San Antonio |
Milwaukee |
Jacksonville |
Oakland |
Denver |
Oklahoma City |
Vero Beach |
Sumter |
Union |
Puyallup |
Tempe |
Elkhart |
Smithtown |
Jamaica |
Carthage |
Worcester |
Yuba City |
Fairmont |
Stafford |
Springfield |
Auburn |
Albuquerque |
Shelburne |
|
|
| Pictures you have taken have an influence on | The difficulty with color is to go beyond the |
| those that you are going to make. | fact that it's color to have it be not just a |
| That's life! - John Sexton | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| Photography records the gamut of feelings | caught up in color, and it becomes merely |
| written on the human face, the beauty of the | decorative. Some photographers use [ it ] |
| earth and skies that man has inherited and the | brilliantly to make visual statements combining |
| wealth and confusion man has created. | color and content; otherwise it is empty. |
| - Edward Steichen | - Mary Ellen Mark |
|