| One should really use the camera as though | You can find pictures anywhere. It's simply a |
| tomorrow you'd be stricken blind. | matter of noticing things and organizing them. |
| - Dorothea Lange | You just have to care about what's around you |
| | and have a concern with humanity and the |
| The virtue of the camera is not the power it | human comedy. - Elliott Erwitt |
| has to transform the photographer into an | |
| artist, but the impulse it gives him to keep on | No place is boring, if you've had a good |
| looking. - Brooks Anderson | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| A mad, keen photographer needs to get out | |
| into the world and work and make mistakes. | |
| - Sam Abell | |
|
|
Chicago |
Fort Worth |
Las Vegas |
Poughkeepsie |
Abilene |
Albuquerque |
San Bernardino |
Waterford |
Claremont |
Downers Grove |
Naples |
Grand Blanc |
Marysville |
Princeton |
Fruita |
Bal Harbour |
Nashville |
Caldwell |
Denham Springs |
Mt. Sterling |
Yuma |
Greenfield |
Minden |
|
|
| Above all, it's hard learning to live with vivid | Pictures you have taken have an influence on |
| mental images of scenes I cared for and failed | those that you are going to make. |
| to photograph. It is the edgy existence within | That's life! - John Sexton |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | You've got to push yourself harder. You've got |
| be made. - Sam Abell | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| Photography takes an instant out of time, | probe deeper. - William Albert Allard |
| altering life by holding it still. - Dorothea | |
| Lange | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
|