| You learn to see by practice. It's just like | Memory is very important, the memory of |
| playing tennis, you get better the more you | each photo taken, flowing at the same speed |
| play. The more you look around at things, the | as the event. During the work, you have to be |
| more you see. The more you photograph, the | sure that you haven't left any holes, that you've |
| more you realize what can be photographed | captured everything, because afterwards it will |
| and what can't be photographed. You just have | be too late. - Henri Cartier Bresson |
| to keep doing it. - Eliot Porter | |
| | Photography records the gamut of feelings |
| A room hung with pictures is a room hung with | written on the human face, the beauty of the |
| thoughts. - Sir Joshua Reynolds | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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Cape Coral |
Boston |
North Canton |
Waukesha |
New Bedford |
Ocean Springs |
Akron |
Vero Beach |
Plymouth |
Eagan |
Broken Arrow |
Tulsa |
Endicott |
Farmville |
Stephenville |
Blairsville |
Tillamook |
Mundelein |
Chelsea |
Monroe |
Lolo |
Mendota Heights |
Sikeston |
Mebane |
Gardena |
Oxford |
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| The camera makes everyone a tourist in other | Now to consult the rules of composition before |
| people's reality. - Susan Sontag | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| The difficulty with color is to go beyond the | Such rules and laws are deduced from the |
| fact that it's color to have it be not just a | accomplished fact; they are the products of |
| colorful picture but really be a picture about | reflection . . . - Edward Weston |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | Photography is my passion. - Alfred |
| decorative. Some photographers use [ it ] | Stieglitz |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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