| Pictures you have taken have an influence on | Sometimes you can tell a large story with a |
| those that you are going to make. | tiny subject. - Eliot Porter |
| That's life! - John Sexton | |
| | No place is boring, if you've had a good |
| Photography records the gamut of feelings | night's sleep and have a pocket full of |
| written on the human face, the beauty of the | unexposed film. - Robert Adams |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | I think the best pictures are often on the edges |
| - Edward Steichen | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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Houston |
Miami |
San Jose |
Albuquerque |
Salt Lake City |
Minneapolis |
Garden Grove |
El Cajon |
Detroit |
Gainesville |
Campbell |
Madera |
Elk City |
Sidney |
Jamestown |
Southgate |
Clark |
Columbia |
Ripley |
Myrtle Beach |
Westborough |
Crowley |
Fergus Falls |
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| I almost never set out to photograph a | [Photography] is a way of feeling, of touching, |
| landscape, nor do I think of my camera as a | of loving. What you have caught on film is |
| means of recording a mountain or an animal | captured forever . . . it remembers little things, |
| unless I absolutely need a 'record shot'. My | long after you have forgotten everything. |
| first thought is always of light. - Galen | - Aaron Siskind |
| Rowell | |
| | "Simply look with perceptive eyes at the |
| The difficulty with color is to go beyond the | world about you, and trust to your own |
| fact that it's color to have it be not just a | reactions and convictions. Ask yourself: |
| colorful picture but really be a picture about | "Does this subject move me to feel, think |
| something. It's difficult. So often color gets | and dream? Can I visualize a print - my own |
| caught up in color, and it becomes merely | personal statement of what I feel and want to |
| decorative. Some photographers use [ it ] | convey - from the subject before me?" |
| brilliantly to make visual statements combining | - Ansel Adams |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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