| "Simply look with perceptive eyes at the | My own eyes are no more than scouts on a |
| world about you, and trust to your own | preliminary search, for the camera's eye may |
| reactions and convictions. Ask yourself: | entirely change my idea. - Edward |
| "Does this subject move me to feel, think | Weston |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | Photography suits the temper of this ageof |
| convey - from the subject before me?" | active bodies and minds. It is a perfect |
| - Ansel Adams | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| Photography is my passion. - Alfred | would be slowed down by painting or |
| Stieglitz | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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St. Louis |
Tucson |
New York |
Nashua |
Waukesha |
Cincinnati |
Winchester |
Aurora |
Key West |
Evansville |
Des Moines |
Moses Lake |
Englewood |
Virginia Beach |
Columbus |
Casa Grande |
Carlinville |
Hammond |
Monmouth Junction |
Winchester |
Natural Bridge |
Harrisville |
Kenosha |
North Lima |
Alma |
North Chicago |
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| Sometimes you can tell a large story with a | Photography is a major force in explaining |
| tiny subject. - Eliot Porter | man to man. - Edward Steichen |
| | |
| Keep it simple. - Alfred Eienstaedt | Photography is about finding out what can |
| | happen in the frame. When you put four |
| You learn to see by practice. It's just like | edges around some facts, you change those |
| playing tennis, you get better the more you | facts. - Gary Winogrand |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | You've got to push yourself harder. You've got |
| more you realize what can be photographed | to start looking for pictures nobody else could |
| and what can't be photographed. You just have | take. You've got to take the tools you have and |
| to keep doing it. - Eliot Porter | probe deeper. - William Albert Allard |
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