| Photography knows how to authenticate its | "Simply look with perceptive eyes at the |
| misrepresentations. - Mason Cooley | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| Photography is about finding out what can | "Does this subject move me to feel, think |
| happen in the frame. When you put four | and dream? Can I visualize a print - my own |
| edges around some facts, you change those | personal statement of what I feel and want to |
| facts. - Gary Winogrand | convey - from the subject before me?" |
| | - Ansel Adams |
| You've got to push yourself harder. You've got | |
| to start looking for pictures nobody else could | Photography is my passion. - Alfred |
| take. You've got to take the tools you have and | Stieglitz |
| probe deeper. - William Albert Allard | |
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Las Vegas |
Kansas City |
Raleigh |
Aurora |
Lakeland |
Kansas City |
Portsmouth |
Oceanside |
San Bernardino |
Waterloo |
North Platte |
Sioux Falls |
Florence |
Westlake Village |
Chillicothe |
Douglas |
Castle Rock |
Fillmore |
Santa Barbara |
Heflin |
San Clemente |
El Campo |
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| My own eyes are no more than scouts on a | A picture is the expression of an impression. If |
| preliminary search, for the camera's eye may | the beautiful were not in us, how would we |
| entirely change my idea. - Edward | ever recognize it? - Ernst Haas |
| Weston | |
| | No place is boring, if you've had a good |
| Photography suits the temper of this ageof | night's sleep and have a pocket full of |
| active bodies and minds. It is a perfect | unexposed film. - Robert Adams |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | Sometimes you can tell a large story with a |
| would be slowed down by painting or | tiny subject. - Eliot Porter |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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