| Photography is a major force in explaining | You learn to see by practice. It's just like |
| man to man. - Edward Steichen | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| Photography is about finding out what can | more you see. The more you photograph, the |
| happen in the frame. When you put four | more you realize what can be photographed |
| edges around some facts, you change those | and what can't be photographed. You just have |
| facts. - Gary Winogrand | to keep doing it. - Eliot Porter |
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| Photography knows how to authenticate its | Sometimes you can tell a large story with a |
| misrepresentations. - Mason Cooley | tiny subject. - Eliot Porter |
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Miami |
San Francisco |
Philadelphia |
South Bend |
Indianapolis |
Lake Charles |
Kingsport |
Hot Springs |
Norwalk |
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| "Simply look with perceptive eyes at the | I almost never set out to photograph a |
| world about you, and trust to your own | landscape, nor do I think of my camera as a |
| reactions and convictions. Ask yourself: | means of recording a mountain or an animal |
| "Does this subject move me to feel, think | unless I absolutely need a 'record shot'. My |
| and dream? Can I visualize a print - my own | first thought is always of light. - Galen |
| personal statement of what I feel and want to | Rowell |
| convey - from the subject before me?" | |
| - Ansel Adams | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| Photography is my passion. - Alfred | colorful picture but really be a picture about |
| Stieglitz | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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