| My own eyes are no more than scouts on a | "Simply look with perceptive eyes at the |
| preliminary search, for the camera's eye may | world about you, and trust to your own |
| entirely change my idea. - Edward | reactions and convictions. Ask yourself: |
| Weston | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| A mad, keen photographer needs to get out | personal statement of what I feel and want to |
| into the world and work and make mistakes. | convey - from the subject before me?" |
| - Sam Abell | - Ansel Adams |
| | |
| Photography suits the temper of this ageof | Photography is my passion. - Alfred |
| active bodies and minds. It is a perfect | Stieglitz |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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San Antonio |
Brooklyn |
Charlotte |
Oklahoma City |
Raleigh |
Saginaw |
Vero Beach |
Quincy |
Boise |
Vicksburg |
Bensalem |
Mesquite |
Fort Walton Beach |
Alexandria |
Statesville |
Natick |
Fort Collins |
Tifton |
Red Bank |
Lansdale |
Franklin |
Richland |
Natchitoches |
Pekin |
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| Photography knows how to authenticate its | You can find pictures anywhere. It's simply a |
| misrepresentations. - Mason Cooley | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| I think you have to have a real point of view | and have a concern with humanity and the |
| that's your own. You have to tell it your way. | human comedy. - Elliott Erwitt |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | Keep it simple. - Alfred Eienstaedt |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | I think the best pictures are often on the edges |
| believe it. - Mary Ellen Mark | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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