| Sometimes you can tell a large story with a | Photography is a major force in explaining |
| tiny subject. - Eliot Porter | man to man. - Edward Steichen |
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| No place is boring, if you've had a good | Photography records the gamut of feelings |
| night's sleep and have a pocket full of | written on the human face, the beauty of the |
| unexposed film. - Robert Adams | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| Keep it simple. - Alfred Eienstaedt | - Edward Steichen |
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| A good picture is equivalent to a good deed. | I think you have to have a real point of view |
| - Vincent Van Gogh | that's your own. You have to tell it your way. |
| | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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| The difficulty with color is to go beyond the | "Simply look with perceptive eyes at the |
| fact that it's color to have it be not just a | world about you, and trust to your own |
| colorful picture but really be a picture about | reactions and convictions. Ask yourself: |
| something. It's difficult. So often color gets | "Does this subject move me to feel, think |
| caught up in color, and it becomes merely | and dream? Can I visualize a print - my own |
| decorative. Some photographers use [ it ] | personal statement of what I feel and want to |
| brilliantly to make visual statements combining | convey - from the subject before me?" |
| color and content; otherwise it is empty. | - Ansel Adams |
| - Mary Ellen Mark | |
| | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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