| A picture is the expression of an impression. If | Photography records the gamut of feelings |
| the beautiful were not in us, how would we | written on the human face, the beauty of the |
| ever recognize it? - Ernst Haas | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| Keep it simple. - Alfred Eienstaedt | - Edward Steichen |
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| You learn to see by practice. It's just like | ...words and pictures can work together to |
| playing tennis, you get better the more you | communicate more powerfully than either |
| play. The more you look around at things, the | alone. -William Albert Allard |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Brooklyn |
Greenville |
Bradenton |
Pittsburgh |
Quincy |
Melbourne |
Gulfport |
Malden |
Clifton Park |
Seattle |
Bessemer |
Coralville |
Elkridge |
Wallace |
Hollister |
Mission Viejo |
Macon |
Milledgeville |
Waynesville |
Collierville |
Lewisburg |
Jackson Hole |
Cupertino |
Dillard |
Diamondhead |
Port Allen |
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| Photography suits the temper of this ageof | Now to consult the rules of composition before |
| active bodies and minds. It is a perfect | making a picture is a little like consulting the |
| medium for one whose mind is teeming with | law of gravitation before going for a walk. |
| ideas, imagery, for a prolific worker who | Such rules and laws are deduced from the |
| would be slowed down by painting or | accomplished fact; they are the products of |
| sculpting, for one who sees quickly and acts | reflection . . . - Edward Weston |
| decisively, accurately. - Edward Weston | |
| | There is nothing worse than a sharp image of |
| The virtue of the camera is not the power it | a fuzzy concept. - Ansel Adams |
| has to transform the photographer into an | |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | |
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