| Sometimes you can tell a large story with a | It is not the language of painters but the |
| tiny subject. - Eliot Porter | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| No place is boring, if you've had a good | reality, is more important than the feeling for |
| night's sleep and have a pocket full of | pictures. - Vincent Van Gogh |
| unexposed film. - Robert Adams | |
| | Above all, it's hard learning to live with vivid |
| A great photograph is one that fully expresses | mental images of scenes I cared for and failed |
| what one feels, in the deepest sense, about | to photograph. It is the edgy existence within |
| what is being photographed. - Ansel | me of these unmade images that is the only |
| Adams | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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| My own eyes are no more than scouts on a | Photography records the gamut of feelings |
| preliminary search, for the camera's eye may | written on the human face, the beauty of the |
| entirely change my idea. - Edward | earth and skies that man has inherited and the |
| Weston | wealth and confusion man has created. |
| | - Edward Steichen |
| Photography suits the temper of this ageof | |
| active bodies and minds. It is a perfect | Photography is about finding out what can |
| medium for one whose mind is teeming with | happen in the frame. When you put four |
| ideas, imagery, for a prolific worker who | edges around some facts, you change those |
| would be slowed down by painting or | facts. - Gary Winogrand |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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