| I almost never set out to photograph a | I think the best pictures are often on the edges |
| landscape, nor do I think of my camera as a | of any situation, I don't find photographing the |
| means of recording a mountain or an animal | situation nearly as interesting as |
| unless I absolutely need a 'record shot'. My | photographing the edges. - William Albert |
| first thought is always of light. - Galen | Allard |
| Rowell | |
| | You can find pictures anywhere. It's simply a |
| My own eyes are no more than scouts on a | matter of noticing things and organizing them. |
| preliminary search, for the camera's eye may | You just have to care about what's around you |
| entirely change my idea. - Edward | and have a concern with humanity and the |
| Weston | human comedy. - Elliott Erwitt |
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New York |
Brooklyn |
Indianapolis |
Portland |
Chicago |
Tampa |
Salt Lake City |
Greeley |
St. Joseph |
Bettendorf |
Morristown |
Jasper |
South Plainfield |
Loveland |
Federal Way |
Harrison |
Glen Cove |
Spring Lake |
Alexandria |
Ozark |
Yorba Linda |
Belmont |
Avon |
Calabasas |
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| Photography records the gamut of feelings | Photography is my passion. - Alfred |
| written on the human face, the beauty of the | Stieglitz |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | Above all, it's hard learning to live with vivid |
| - Edward Steichen | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| Photography is a major force in explaining | me of these unmade images that is the only |
| man to man. - Edward Steichen | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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