| It is not the language of painters but the | A good picture is equivalent to a good deed. |
| language of nature which one should listen to. | - Vincent Van Gogh |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | Keep it simple. - Alfred Eienstaedt |
| pictures. - Vincent Van Gogh | |
| | Sometimes you can tell a large story with a |
| There is nothing worse than a sharp image of | tiny subject. - Eliot Porter |
| a fuzzy concept. - Ansel Adams | |
| | I think the best pictures are often on the edges |
| Once photography enters your bloodstream, | of any situation, I don't find photographing the |
| it's like a disease. - Anon | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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New York |
Baltimore |
Tampa |
Bronx |
Columbus |
Alexandria |
Des Moines |
Grand Rapids |
Schaumburg |
Vero Beach |
Long Beach |
Brookhaven |
Moreno Valley |
Jackson |
Seneca |
Southington |
Old Saybrook |
Davie |
Brewton |
Williamston |
Greer |
Newburgh |
Ozark |
Buffalo Grove |
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| Photography is about finding out what can | I almost never set out to photograph a |
| happen in the frame. When you put four | landscape, nor do I think of my camera as a |
| edges around some facts, you change those | means of recording a mountain or an animal |
| facts. - Gary Winogrand | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| Memory is very important, the memory of | Rowell |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | The difficulty with color is to go beyond the |
| sure that you haven't left any holes, that you've | fact that it's color to have it be not just a |
| captured everything, because afterwards it will | colorful picture but really be a picture about |
| be too late. - Henri Cartier Bresson | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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