| A good picture is equivalent to a good deed. | Once photography enters your bloodstream, |
| - Vincent Van Gogh | it's like a disease. - Anon |
| | |
| You learn to see by practice. It's just like | "Simply look with perceptive eyes at the |
| playing tennis, you get better the more you | world about you, and trust to your own |
| play. The more you look around at things, the | reactions and convictions. Ask yourself: |
| more you see. The more you photograph, the | "Does this subject move me to feel, think |
| more you realize what can be photographed | and dream? Can I visualize a print - my own |
| and what can't be photographed. You just have | personal statement of what I feel and want to |
| to keep doing it. - Eliot Porter | convey - from the subject before me?" |
| | - Ansel Adams |
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St. Louis |
Tulsa |
Clearwater |
Boston |
Santa Rosa |
Alameda |
Fresno |
North Brunswick |
Greeley |
Boise |
Eau Claire |
Shelbyville |
Cheraw |
Fremont |
La Junta |
Cockeysville |
Ashland |
Hood River |
Medina |
Lexington |
Doniphan |
Elizabethton |
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| A mad, keen photographer needs to get out | Memory is very important, the memory of |
| into the world and work and make mistakes. | each photo taken, flowing at the same speed |
| - Sam Abell | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| One should really use the camera as though | captured everything, because afterwards it will |
| tomorrow you'd be stricken blind. | be too late. - Henri Cartier Bresson |
| - Dorothea Lange | |
| | Pictures you have taken have an influence on |
| The virtue of the camera is not the power it | those that you are going to make. |
| has to transform the photographer into an | That's life! - John Sexton |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | |
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