| You learn to see by practice. It's just like | Pictures you have taken have an influence on |
| playing tennis, you get better the more you | those that you are going to make. |
| play. The more you look around at things, the | That's life! - John Sexton |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | Photography is a major force in explaining |
| and what can't be photographed. You just have | man to man. - Edward Steichen |
| to keep doing it. - Eliot Porter | |
| | ...words and pictures can work together to |
| A great photograph is one that fully expresses | communicate more powerfully than either |
| what one feels, in the deepest sense, about | alone. -William Albert Allard |
| what is being photographed. - Ansel | |
| Adams | |
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Houston |
St. Louis |
Brooklyn |
Greenville |
Tallahassee |
Washington |
Gaithersburg |
Falmouth |
Omaha |
Pinellas Park |
Westminster |
Cedar Rapids |
Los Angeles |
Newnan |
Manistee |
Auburn |
Corydon |
Lawrenceville |
Buford |
Glendale |
Osceola |
Lafayette |
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| Photography is my passion. - Alfred | The virtue of the camera is not the power it |
| Stieglitz | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| [Photography] is a way of feeling, of touching, | looking. - Brooks Anderson |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | My own eyes are no more than scouts on a |
| long after you have forgotten everything. | preliminary search, for the camera's eye may |
| - Aaron Siskind | entirely change my idea. - Edward |
| | Weston |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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